Panel Talk- How Iranian Cinema Promotes Patriarchal Gaze/ Before and after revolution.

How Iranian Cinema Promotes Patriarchal Gaze/ Before and after revolution. Packing to go to @cinemigrante at Argentina. Conversation with @dra.carobracco . We will examine Mulvey’s theory about cinema and then apply it to several examples of Iranian cinema. These examples will confirm and question the constriction of phallocentrism in Vision, gender, and power. We will talk reconsiders the psychoanalytic theory derived from Sigmund Freud and Jacques Lacan that Laura Mulvey uses to support her theory of the gaze in the 1975 essay “Visual Pleasure and Narrative Cinema.” “Visual ‘Drive’ and Cinematic Narrative” also reconsiders and rereads the three Alfred Hitchcock films Mulvey uses to prove her theory of the patriarchal gaze: Vertigo, Rear Window, and Marnie also we will talk about three Iranian films too.

– Vertigo is a 1958 American film noir psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D’entre les morts (From Among the Dead) by Boileau-Narcejac. The screenplay was written by Alec Coppel and Samuel A. Taylor.
The Report Gozaresh 1977, By Abbas Kiarostami, The movie revolves around the life of a tax collector who is accused of taking bribes, and also has to deal with problems at home, including the suicide attempt of his wife. Two great films but victimise woman!
https://www.facebook.com/events/391615921553174/

The fact that in every geographical border, the political and religious changes affects the body language in art and cinema and generates new forms and language.

My experience of the Iranian Revolution, which took place when I was five years old, followed closely by the war, changed our individual and collective relationship with the body at every level. As a result, our body language changed along with our geographical language, our socio-political framework and the language of art.

New movement of Film Farsi in Iran. Film Farsi before revolution and Film Farsi after revolution. The form of body languorous change but the content and stories are same. Rape/betrayal/ prostitution/ silences secret/ over acting/ action/ drama/ humiliating women body/ victimise women/ victimise culture and

Vertigo is a 1958 American film noir psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D’entre les morts (From Among the Dead) by Boileau-Narcejac. The screenplay was written by Alec Coppel and Samuel A. Taylor.
The Report Gozaresh 1977, By Abbas Kiarostami, The movie revolves around the life of a tax collector who is accused of taking bribes, and also has to deal with problems at home, including the suicide attempt of his wife. Two great films but victimise woman!

How this issue has affected the female characters in Iranian cinema. The way that these female characters appeared on screen before revolution in comparison to their appearance on screen after Islamic revolution after repentance and getting necessary permissions which obviously created a new form of art.I always thought about how the revolutions and changes in religion and politics could create a new graphical and conceptual form.